2015-12-11 San Francisco, CA

Notes from the Taper

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Chris Robinson Brotherhood
The Fillmore
San Francisco, CA
December 11, 2015

Source 1: DPA 4011 > EAA PSP-2 > Marantz PMD661 (Oade SuperMod)
Source 2: "Sunday Dinner Mic Array" (6 mic matrix) > Oade-Mod Edirol UA-5, Zoom H-6 > Sony M10
Mic location: 10' high / ~80' back, 15' LOC / PAS
Transfer: Adobe Audition/Steinberg Wavelab 6 > Izotope Ozone 5 > Steinberg Wavelab 6 > Adobe Audition > Korg Audiogate > xACT
Lineage (Set 1): 24-bit/96 kHz > 16-bit/44.1 kHz FLAC (Level 8)
Lineage (set 2): 24-bit/96 kHz (Source 1), 24-bit/48 kHz (Source 2) > 24-bit/48 kHz > 16-bit/44.1 kHz FLAC (Level 8)
Editing: Izotope Ozone - 4-band Master Excitation and Widening Preset (Harmonic Excitation off); Wavelab: Loudness Normalizer, for Set 2, spicing together Source 2 with Source 1. Adobe Audition: Fades added, tracking; Korg Audiogate: dither (Korg AQUA); xACT: Fix SBEs, Convert to FLAC level 8
Tagging: Foobar2000 Live Show Tagger

Taped, edited and seeded by Ted Yun

Setlist:

Set 1

01. Intro
02. Takin' Care Of Business
03. Tomorrow's Blues
04. Badlands Here We Come
05. Roan County Banjo
06. Oak Apple Day
07. 40 Days
08. Train Robbers
09. Poor Elijah/Tribute to Robert Johnson

Set 2

01. Intro
02. Stranger in a Strange Land
03. Ain't it Hard but Fair
04. 100 Days of Rain
05. West LA Fadeaway
06. Shore Power
07. Meanwhile in the Gods >
08. Tulsa Yesterday
09. Rosalee
10. encore
11. Last Place That Love Lives
12. You Ain't Going Nowhere
13. I Am a Pilgrim


Taper's notes:

For the encore, Tony Leone played mandolin and Adam MacDougall played drums.

I had a glitch in the beginning of Set 2, where I think I must have bumped one of the switchs on my preamp, sending the gain too high. The first two songs were brick-walled. Fortunately, the mighty DMan was there to save my ass and he gave me a copy of the set so that I could patch up my source. So the first 3 tracks (Intro, Stranger in a Strange Land, Ain't it Hard but Fair) of Set 2 are from Source 2. Big thanks to DMan!

For this first night, the Fillmore staff shoved us into the back corner of the venue, and we picked up a lot of boomy mid-lows coming off the wall. It was hard to EQ this show, but I think I finally got it sounding right for my playback rig.

Shout out to Cristian (SoCal), Taper Phil (NorCal) and DMan (AllCal)! It was great to hang with you guys.

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