2015-02-19 Huntington, NY

Notes from the Taper

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Chris Robinson Brotherhood 02/19/2015 The Paramount, Huntington, NY

Source: Schoeps cmc641xt (FOB 8' from left stack, PAS) -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
Transfer: WAVs -> Vegas Pro 13.0 (mix/render) -> SoundForge Pro 11.0 (normalize, fades, 96->44.1 iZotope 64-Bit SRC w/anti-alias filter; 24->16 bit iZotope MBIT+ Dither w/ Ultra/High settings) -> CDWav -> FLAC

Recorded, tracked and posted by Eric McRoberts 02/21/2015 - Thanks to Zachary Semcken for the comp ticket

Set 1:
01. intro/crowd
02. Bright Lights, Big City
03. Jump The Tunstile
04. Tornado
05. Meanwhile In The Gods ->
06. Tulsa Yesterday
07. The Music's Hot
08. Beggar's Moon
09. Got Love
10. outo/crowd

Set 2:
01. into/crowd
02. Strangers In A Strange Land
03. Little Lizzie Mae
04. Tumbleweed In Eden
05. Roan County Banjo
06. Vibration & Light Suite ->
07. Hard To Handle
08. Appaloosa
09. Sunday Sound
10. encore break/crowd
Encore:
11. Girl I Love You
12. Call Me Up In Dreamland

Chris Robinson - vox / guitar
Neal Casal - guitar / vox
Adam Macdougall - keys
Mark Dutton - bass
Tony Leone - drums

I was setup FOB/DFC in the sweet spot in the middle of the dance floor but venue management was uncomfortable with the stand there and forced me to move before the show started. I had a choice to go to the back left corner of the room by an overhang, or go way up front against the rail in front of the left PA stack. I chose the rail and ran the mics 13' up as high as I could get them. I also ran an mk5 pair on the same stand DIN configuration but didn't like how it came out compared to the mk41 pair so I don't plan to post it. I tried mixing a small amount of the mk5 pair with this source but didn't like the end result there either. Since I was so close to the stage and so high up, I didn't pick up a lot of the bass cabs below the stage which is dissapointing but oh well.

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